Oil On Canvas, Real Flavor of Old Masters

All PUGET, Pierre 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
43584  
Great Vessel of War, PUGET, Pierre
 
 Great Vessel of War   28 x 41,8 cm
43590  
Navigation before a Promontory, PUGET, Pierre
 
 Navigation before a Promontory   20 x 23,4 cm
8688  
Portrait of the Artist's Mother af, PUGET, Pierre
 
 Portrait of the Artist's Mother af   1651-55 Oil on canvas, 60 x 50 cm Private collection, Nimes
78464  
Self portrait, PUGET, Pierre
 
 Self portrait   17th century Medium Oil on canvas cyf
8694  
Self-portrait ag, PUGET, Pierre
 
 Self-portrait ag   1668-69 Oil on canvas, 47 x 38 cm Mus??e Granet, Aix-en-Provence
8695  
Self-portrait in Old Age af, PUGET, Pierre
 
 Self-portrait in Old Age af   1690-92 Oil on canvas, 75 x 61 cm Mus??e du Louvre, Paris
8689  
St Peter Holding the Key of the Paradise sg, PUGET, Pierre
 
 St Peter Holding the Key of the Paradise sg   1653-59 Oil on canvas, 183 x 87 cm Parish Church, Grandcamp
43598  
Study of a Horse, PUGET, Pierre
 
 Study of a Horse   34,5 x 27,7 cm
8698  
The Education of Achilles by Chiron ar, PUGET, Pierre
 
 The Education of Achilles by Chiron ar   c. 1690 Oil on canvas Mus??e des Beaux-Arts, Marseille
8693  
The Holy Family at the Palm-tree g, PUGET, Pierre
 
 The Holy Family at the Palm-tree g   1662-63 Oil on canvas, 210 x 140 cm Private collection, Aix-en-Provence
8690  
The Sacrifice of Noah f, PUGET, Pierre
 
 The Sacrifice of Noah f   1654 Oil on canvas, 92 x 62,5 cm Mus??e des Beaux-Arts, Marseille
63832  
The Stoning of St Peter, PUGET, Pierre
 
 The Stoning of St Peter   1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious
8692  
The Visitation (detail), PUGET, Pierre
 
 The Visitation (detail)   1659 Oil on canvas Mus??e Granet, Aix-en-Provence
8691  
The Visitation af, PUGET, Pierre
 
 The Visitation af   1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence
43587  
Two Vessels under Sail, PUGET, Pierre
 
 Two Vessels under Sail   33,3 x 51,1 cm
43583  
Vessel Firing a Salvo, PUGET, Pierre
 
 Vessel Firing a Salvo   41 x 64,5 cm
43588  
View on the Sea Time, PUGET, Pierre
 
 View on the Sea Time   27,2 x 44,7 cm
8696  
Virgin Giving the Scapular to St Simon Stock sg, PUGET, Pierre
 
 Virgin Giving the Scapular to St Simon Stock sg   Oil on canvas, 78,5 x 53,5 cm Mus??e des Beaux-Arts, Marseille

PUGET, Pierre
French Baroque Era Sculptor, 1620-1694 French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,



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